From Containment to Expansion: A Tenderloin Meditation

With From Containment to Expansion ABDProductions /Skywatchers Ensemble marks a decade of radical community-centered art making in the Tenderloin.

Presence and Liveness in Online Learning: A Lesson in Choreographing Students from Afar

For the past year, I have been working on a new choreography that premiered this past April 17-26 as a part of the annual Berkeley Dance Project (BDP) directed by […]

A Turning Point

A bounty of generous resources from our dance community and the San Francisco Bay Area is how I found my way through a return of breast cancer and the death […]

Community Calendar

WestWave Dance Festival Artists Speak

In addition to our interview with Joanna Haigood, we asked the 45 artists participating in this year’s DanceWaves and Film Night to offer up a first person perspective—or in grant-speak, […]

Questioning Contact Improvisation

Photo by Robbie Sweeny INTRODUCTION For more than 15 years I’ve been working to understand and to explain how the social contexts of contact improvisation (CI) remain predominantly white and […]

Gravitating Towards Elders Through Somatic Education

Parenting of grandchildren is one of the many situations older adults face. It demands multiple skills and staying on top of their physical and mental health.

Going Bicoastal: RAWdance Does a Triple Take

Photo by Hillary Goidell For fifteen years, under the banner of RAWdance, Wendy Rein and Ryan T. Smith have been teaching and producing work in San Francisco. Their leadership in […]

In Practice: 40 Years of Abhinaya Dance Company of San José

Joyful movement exhibited through Nritta in Bharatanatyam, photo by Santhosh Selvaraj At one point during our Zoom interview, Mythili Kumar, multi-award-winning Founder, Artistic Director, and matriarchal authority of Abhinaya Dance Company of San José, […]

The Crisis in Criticism: The Economy, the Internet and the Death of Dance Writing, Jun 2009

If you are reading this, odds are you earn at least part of your living working in the arts, or are a committed member of the dance audience. Let me […]