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Art in Isolation Instagram series
Art in Isolation is a new Instagram artist takeover series, where CounterPulse artists show you their art practices, routines, and tips for how to engage in art in isolation. We’re […]
Dancers for a Free Palestine: Tactics of Resistance that Artists Understand
As the horrors of the ongoing U.S. funded Israeli genocide in Palestine pour into our social media feeds from Gaza over the last six months, it has become more clear to me how FLACC’s seemingly small, yet, public “platform” has more influence and power on a political and cultural stage than I realized.
10 in 10 with Lydia Clinton
You are reading excerpts from Andréa Spearman’s conversation with Lydia Clinton. 10 in 10 theme music: Bright, upbeat pop music that you may hear in a teen-centered drama series. […]
Ad Infinitum Identities: The work of Pseuda & Kim Ip
Pseuda can be seen from a stage, holding two metal chain ropes attached to the limbs of another body. A doll, a dancer, Kim Ip. It’s Halloween, 2015, at B4bel4b Gallery, and the audience doesn’t yet know that Kim and Pseuda are chained together until they begin to stretch away, the chains syncing a nexus between bodies.
II International online dance festival | DANCE LINE 2021
You are welcome to enjoy one of the most important dance events – the II International dance festival DANCE LINE which will be organized online 16 January 2021. The festival […]
In Conversation: Maurya Kerr and Alaja Badalich
You are reading excerpts from Maurya Kerr and Alaja Badalich’s recorded conversation. Listen to the conversation. Transcript of the full conversation
june 17 2021- stylish muscling
today’s slushee is partly a memoriam for Julia Cziller Redick, my first dance teacher who passed away in april. from our first lesson, she instilled in me a spirit of creative play, the necessity of functional movement , and a sense of taste and style.
In Conversation with Vanessa Sanchez
Who’s getting funded and who has access to getting funded? And really looking at a lot of my mentors in the Bay Area and beyond who…have changed and shaped communities and done this work for decades and decades and decades, but because of resources and because of language barriers, they aren’t necessarily able to apply and receive the funding they should be. With that, I just felt it really important in that I don’t want to be one of the only ones from the Bay Area – in our kind of world of dancers of color who are coming from dance forms from traditionally Black and brown communities – I don’t want to be one of the only ones getting this. There are so many more people who need and deserve this – this funding.
In Conversation with Erik Lee
I’m very much so interested in this idea of opening new – it’s not a reopening, I’m not trying to return to the way things were before – I’m really invested in how we move forward.
