Israel Gone Gaga: Batsheva to the Max

Float. Pull your bones. Smear your flesh on the ground. Connect to your pleasure. Quake. Stretch your face. Find the snake in your spine. Put a good taste in your […]

Bali Takes Center Stage

With the mere mention of the word “Bali,” images of lush, green rice terraces and dancing maidens often come to mind. Though just one of over 17,000 islands that make […]

The Dance v. The Critic: Who Has The Right to Write?

IN 2007 IN DANCE DEVOTED a majority of its November issue to the topic of dance criticism. Many critics and community members commented on the threat of a kind of […]

Fundraising for Individual Artists 101

There is possibly nothing more baffling to an individual artist than fundraising. Production, no problem. PR, okay, got it. Fundraising — huh? The reason for this confusion is pretty obvious: […]

Stretching Across the Urban Jungle: ONSITE Presents Katie Faulkner’s We Don’t Belong Here

On the heels of an ambitious four-choreographer collaboration with Kara Davis, Manuelito Biag, and Alex Ketley, Katie Faulkner is not only stretching herself as an artist, but is now literally […]

New View: Christy Bolingbroke

With fresh young faces popping up constantly, the local Bay Area dance community is a unique blend of seasoned and new perspectives. In Dance caught the new view from New […]

A View From the Trenches: Critical Losses

Art nourishes consciousness. It helps us identify who we are, what we value, and what we might become. “The function of criticism is the re-education of perception.” (Philosopher and educational […]

Critical Dialogues: Heather Desaulniers and Christy Funsch

What if, rather than writing a review, a critic sat down with a choreographer to have a two-way conversation about the work? That’s the experiment behind Critical Dialogues. For this […]

What’s in a Name: The Legacy of Everybody’s Creative Art Center

The 1970s were a time in America when black people awakened to their African heritage and were taking on new names more fitting their history and characters. For dancer and […]

In Practice: Holding Wait with Jo Kreiter

On a rainy afternoon in March, I met with Jo Kreiter, choreographer, artist-activist, and artistic director of Flyaway Productions, in a rehearsal space at Project Artaud, behind the Joe Goode […]