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Unpacking Julie Crothers’ Abstract Necessity
Imagine being seen and recognized one way during your adolescence by people in your hometown. You move away, then return with a new take on life, both for yourself and […]
Connecting the Dots: Catching a Moment with Raisa Punkki
When something strikes you–some intangible moment of artistic connection, energy, and kinetic charisma–often there aren’t words to describe its effect. Maybe it’s the color palette of a classic painting, or […]
In Practice: Book Review: Katherine Dunham: Dance and the African Diaspora by Joanna Dee Das
The first time I met dance historian Joanna Dee Das was either at an event she curated when she was a Mellon Postdoctoral Fellow in Dance Studies at Stanford or […]
CubaCaribe Festival Embraces Change
In a March 15, 2015 essay, “Growing Pains in Cuban Dance,” The New Yorker magazine’s critic Joan Acocella raised a timely question. “What effect,” she asked, “will Obama’s easing of trade […]
Taking Up Space: A conversation between two dancers combating anti-fatness
ALL bodies deserve respect regardless of size, skin color, ethnic background, gender, sexuality, age, health or ability status.
The Grant You Wish You Could Write
Photo by Marley Trigg Stewart. [ID: Miguel Gutierrez looks softly into the camera while biting a rosary, bathed in orange light. He is a light skinned, Latinx cis-man with short […]
Questions from a Mom
To be a choreographer takes absolute commitment. To be a parent takes absolute commitment. Can the two live harmoniously? I have thought a lot about what it takes to be […]
Gaining Perspectives, Changing Perceptions – ARTICLE #2: Our World in Constant Motion
Editors Note: In the December 2016 issue of In Dance Farah Yasmeen Shaikh wrote about her experiences as a Pakistani Muslim-American woman Kathak artist and her work teaching and performing […]
Keepers of Home: Muisi-kongo & Kiazi Malonga
Muisi-kongo Malonga and Kiazi Malonga are the children of Malonga Casquelourd, a world-renowned Congolese dancer, drummer and choreographer who built an exceptional legacy in the traditional arts in the US, and spent half his life activating Congolese culture at the Alice Arts Center (now named after him), in Oakland, California
we done/come home: a ritual prayer for belonging
House/Full of Blackwomen Photo by Robbie Sweeny. [ID: A Black woman with her eyes closed sits in a blue armchair with her head slightly leaning to the side. On the […]
