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Seasons of Change
A performance by several bay area companies and artists. See excerpts of their works either live in person or online. Artists included in the show will be em(body) dance project […]
ODC/Dance Takes On Hard Truths With Fluid Agility
Review: March 2, 2007, Program 1
Decolonizing Industries of Care: Nursing These Wounds
In California, one out of every five registered nurses (RN) is of Pilipinx descent.[1] These nurses are also disproportionately represented on the front lines: bedside as well as in intensive care units, emergency rooms, nursing homes and long-term care.
In Conversation: Maurya Kerr and Alaja Badalich
You are reading excerpts from Maurya Kerr and Alaja Badalich’s recorded conversation. Listen to the conversation. Transcript of the full conversation
Philanthropy Future/Present
Ten years from now: these things I know. New program officers will think they are smarter and funnier than their predecessors. Foundations will have undergone (at least once) strategic planning […]
A Virtual Concept: Taking a New Look at Technology and Networking in Artist Residencies
CounterPULSE wanted to try something new with Performing Diaspora to better support work from artists, document the process of production and to interact with audiences. We created a virtual artist […]
In The Know: Gaining Confidence with Arts Advocacy
As I sat in the back of an almost-full Yerba Buena Center for the Arts Novellus Theater for the SF Mayoral Arts Forum this past August, I felt a palpable […]
Tips on Writing a Letter of Intent (LOI) and Grant Application
DOS AND DON’TS Planning is key to success. Think carefully about your outline and proposal. Talk about your ideas with staff and colleagues. Good writing does not usually happen in […]
ONSITE: Amara Tabor-Smith
He Moved Swiftly But Gently Down the Not Too Crowded Street: Ed Mock and Other True Tales in a City That Once Was… June 15, 21, 22 & 23, 2013 […]
Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
