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Welcome
Each new year offers opportunity to illuminate ideas, instigate new ideologies. A chance to be inspired so we can inspire. Dancers’ Group’s staff brings in 2019 with responses to the […]
In Practice: Later Alastair Macaulay
This article is modeled after outgoing New York Times chief dance critic Alastair Macaulay’s January 10, 2019 letter to the Dance Magazine editor[1] about Emma Sandall’s January 7, 2019 piece, […]
Purity of Cumbia: Talking with John Jairo Roldán about sustaining the “mother of all rhythm”
It is an early Sunday evening in late March, and I’m sitting on a barstool at Spats in Berkeley where two large screen TVs are showing two different NCAA championship […]
In Practice: Performing Twinship: Molly & Aviva Rose-Williams
On January 25, 2018, Molly and Aviva Rose-Williams performed Side by Side at Paufve Dance’s 8x8x8 performance series at The Uptown in Oakland. I was there that night and have […]
In Practice: Meet Talli Jackson
Photo by Eric Polizer I grew up in Brooklyn (New York, not Wisconsin; if you think the clarification is unnecessary, you’ve never been to Wisconsin). And this is what it […]
35 Years Later San Francisco Ballet Brings Back Balanchine’s A Midsummer Night’s Dream
Photo by Erik Tomasson Have you ever been to a wedding where the invited guests just couldn’t keep it together? I have. And I’m betting you know exactly the kind […]
In Practice: Encounters Over 60 with Margaret Jenkins
Merián Soto, Photo by Bill Hebert In October and November 2019, I saw the work of three remarkable New York-based artists: Adia Whitaker, Miguel Gutierrez, and Tere O’Connor. Although O’Connor […]
Serious Inquiry Generates Playfulness in Kegan Marling’s Remake of Jump Ship
Kegan Marling isn’t sure which way to go. Marling, who is creating, performing and directing a dance theater piece that will be shown at CounterPulse in October, is directing Mica […]
The Luckiest Teacher: Lisa Aguilar’s 40 Year Commitment to Tahitian Dance
Lisa Aguilar is the Ra’atira Pupu (Director) and Choreographer for the East Bay-based Tahitian Dance Company, Te Mana O Te Ra. I spent a Sunday afternoon speaking with Lisa about her […]
In Practice: Smith/Wymore Disappearing Acts’ Six Degrees of Freedom
First of all, full disclosure: the Wymore of Smith/Wymore Disappearing Acts is kind of my boss—Lisa Wymore, Chair of the Department of Theater, Dance, & Performance Studies at UC Berkeley, […]
