As early as the 1930s, the members of Martha Graham’s company reflected diverse cultural backgrounds, and Graham’s commitment to experimentation and attention to contemporary social, political, psychological, and gender issues has forever altered the scope and direction of the art form.

The Graham company returns to Cal Performances for the first time in more than a decade to celebrate its 100th anniversary with classic Graham works such as the iconic Appalachian Spring, the psychological thriller Night Journey, and the anti-war protest Chronicle—all featuring Isamu Noguchi’s original sets—alongside newly commissioned dances by contemporary choreographers. Saturday’s performance features a new work by the choreography team of Baye & Asa in response to Graham’s seminal war protest, Cortege of Eagles. Sunday’s matinee includes the Bay Area premiere of En Masse by Ailey alum Hope Boykin as well as Jamar Roberts’ We the People, a collaboration —part lament, part protest—with roots musician Rhiannon Giddens exploring determination and resistance.