This is an abbreviated version of an essay on the role of dance critics in the dance art world. It began as a course paper, and has grown over the past few months through conversations with choreographer Kegan Marling.
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Funny, You Don’t Look Dancerish
The following article is the third in our series on body image and dance, and originally appeared in the New York Times’ Arts and Leisure section on May 20, 2007.
we done/come home: a ritual prayer for belonging
House/Full of Blackwomen Photo by Robbie Sweeny. [ID: A Black woman with her eyes closed sits in a blue armchair with her head slightly leaning to the side. On the […]
In Practice: NAKA Dance Theater in the time of COVID-19
Photos by Scott Tsuchitani On our way out of Margaret Jenkins’ CHIME event on December 8, 2019, José Navarrete invited me to have a conversation about NAKA’s social justice work, […]
Fabric Animal: Weaving Bodies Through Time
On a recent afternoon in Emeryville, Sonsherée Giles and Sebastian Grubb gave a work-in-progress showing of their upcoming duet, Fabric Animal, to long-time Bay Area choreographer Nancy Karp. They have […]
Diving Deeper Into Flamenco
For the last twelve years, I’ve lived in the San Francisco Bay Area, studying flamenco and performing professionally. While there are many good flamenco teachers passing down the tradition, I’ve […]
