In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
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Dancing Happens in Strip Malls Too
My first memories of learning dance were at the Strip Mall Dance Studio near my house in Lawrence, Kansas. The strip mall was creatively named “The Malls Shopping Center.” I don’t remember what the studio itself was called but I know exactly where it was—tucked in the corner of a row of single-story beige buildings that also housed Pet World (my favorite place on earth as a 4-year-old), an Ace Hardware (my second favorite place), and a Godfather’s Pizza.
10 in 10 with Sawako Gannon
You are reading excerpts from Andréa Spearman’s recorded conversation with Sawako Gannon 10 in 10 theme music: Bright, upbeat pop music that you may hear in a teen-centered drama series. […]
10 in 10 with Alyssa Mitchel
You are reading excerpts from Andréa Spearman’s recorded conversation with Alyssa Mitchel 10 in 10 theme music: Bright, upbeat pop music that you may hear in a teen-centered drama series. […]
Finding a Flow Through Heartistry
With an infinite number of podcasts to listen to, why would I add another one to the list? Would anyone even listen to it, who would I speak with, what would we discuss?
Grassroots to Cyberspace: Evolution of Dancing Earth
Birthed from a vision from Founding Artistic Director Rulan Tangen to create global Indigenous contemporary performing arts opportunities, Dancing Earth is rooted with one foot in Yelamu – occupied Ohlone territory also known as San Francisco, California and the other foot in Ogaa Po Ogeh – occupied Tewa territory also known as Santa Fe, New Mexico.
