Water in the Kettle uses Artistic Director Evie Ladin’s body music choreography (harmony singing, body percussion, rhythm dance) to illuminate the maddeningly recurrent struggles of modern women and the country, with intention, humor, and connective rhythm. We put water on to boil when we organize, commiserate, work, celebrate, refuel. The multigenerational ensemble—women raised by feminist […]

Water in the Kettle uses Artistic Director Evie Ladin’s body music choreography (harmony singing, body percussion, rhythm dance) to illuminate the maddeningly recurrent struggles of modern women and the country, with intention, humor, and connective rhythm. We put water on to boil when we organize, commiserate, work, celebrate, refuel. The multigenerational ensemble—women raised by feminist […]

MoToR/dance’s first evening-length production, featuring Artistic Director Evie Ladin’s body music choreography (harmony singing, body percussion, rhythm dance). Water in the Kettle illuminates the maddeningly recurrent struggles of modern women, and the country, with intention, humor, and connective rhythm. At Rhythmix Cultural Works, MoToR/dance reimagines the performance space, bringing the audience close, as in a […]

MoToR/dance’s first evening-length production, featuring Artistic Director Evie Ladin’s body music choreography (harmony singing, body percussion, rhythm dance). Water in the Kettle illuminates the maddeningly recurrent struggles of modern women, and the country, with intention, humor, and connective rhythm. At Rhythmix Cultural Works, MoToR/dance reimagines the performance space, bringing the audience close, as in a […]

MoToR/dance’s first evening-length production, featuring Artistic Director Evie Ladin’s body music choreography (harmony singing, body percussion, rhythm dance). Water in the Kettle illuminates the maddeningly recurrent struggles of modern women, and the country, with intention, humor, and connective rhythm. At Rhythmix Cultural Works, MoToR/dance reimagines the performance space, bringing the audience close, as in a […]