Instead of Performing: Interpreting the Work of Tino Sehgal
I was alone lying on a cold concrete floor moving slowly and following my breath, not permitted to ...
Tips for Documenting and Preserving Your Dances
The ephemeral beauty and spontaneity of live performance is what draws many of us to dance, and also ...
Pilot: Start-up Strategies for 2013
This article discusses the Pilot Program, ODC’s long-running incubator for emerging artists, and ...
New View: Studio 1924 in Oakland
At Studio 1924, Melissa Agocs and Count Glover share the vision to provide an intimate, fun place ...
Revealing the Secret History: A Conversation with Sean Dorsey
San Francisco’s Sean Dorsey Dance has racked up a nice trophy case: a Goldie, a pair of Izzies, a ...
This year, in fertile Luna Dance Institute land, two new babies are born, bringing the total child ...
A Turning Point, Part II – Rebirth
“In Mexico they say when someone you love dies, a part of you dies with them. But they forget to ...
Upaj (Improvisation) of Life Captured on Film
Having personally witnessed the development of Pandit Chitresh Das and Jason Samuels Smith’s ...
Finding Inspiration: ODC Forges New Partnerships
1. A point is that which has no part. 2. A line is breadthless length. 3. The ends of a line are ...
In 1975 I walked into a studio in Cupertino, California to take my first dance class, a tap class ...