There’s a common preconceived notion of writing about dance existing as review. But dance writing can be infinitely more expansive when we think about it more as a reflective or refractive practice. What does a performance provoke in you? How can continual cross-disciplinary refractions elicit interacting with each others’ work in more intentional ways?

This conversation will touch on interrogating motivations for writing, diminishing pressure that comes with writing for public consumption, and brainstorming infrastructures for more dance writing.