In Dance


Creating and Revising

DURING THE LAST YEAR, I spent a great deal of my time writing the second edition of Body, Mind & ...


Speak: Place for Family in Dance

My work is greatly inspired and impacted by my family. Three years ago, my parents immigrated to the ...


Ruth Zaporah and Shinichi Iova-Koga in Conversation

Editors Note: The following is a conversation between theater artist/performer Ruth Zaporah and ...


Notes from an Invited Spy: My RSVP to 95 Rituals

“...How am I even going to write about this emerging, unfolding thing?...” I wrote this ...


Welcome

UNTIL NOW, I have always veered towards being hopeful, a cliché-loving, ...


Education Matters: Four Artists’ Methods for Teaching College-aged Dancers

WHEN UNDERGRADUATES FACE the decision of majoring in dance or another discipline, they are often ...


Farm to Table to Dance: Julia Adam’s ‘The Woodland Project’

CHOREOGRAPHER JULIA ADAM is developing a reputation for site-specific, elegant, sensory-soaked dance ...


Raices de Otra Tierra: Reflections on the Diverse Folclórico Community of the SF Bay Area

LIVING IN THE BAY AREA, we are fortunate to be in one of the most ethnically diverse regions of the ...


ANNA HALPRIN: Redefining Dance at 95

[caption id="attachment_19288" align="alignleft" width="300"] Photo by Sue Heinemann[/caption] ...


MAKING SENSE OUT OF THE NOISE: Dance Accompanists Speak of Beauty and Truth

Editor’s Note: This article first appeared on SF Weekly’s Exhibitionist on April 10, 2015 and ...