Events
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2025 State of Play Festival: gizeh muñiz – FISHBLOD
ODC Theater
Damn, I think this piece is about adoration... and devotion. But also, disobedience. omg and obsession. This piece is about TRUST ing ing ing ing ing ing ing ing. To Trust your Wild ness *this piece is the first […]
2025 State of Play Festival: Kira Fargas – Maya
ODC Theater
Inspired by the reality of families torn apart by seas, structures, and policies, this new work researches themes of displacement, captivity, separation, and detachment. Titled after the former national bird of the Philippines, Maya investigates the impossibility of physical togetherness, exploring the anguish, longing for community, and instinct for self-preservation that arise in response to […]
2025 State of Play Festival: Kimie Parker – komainu duet
ODC Theater
komainu duet illustrates displacement and belonging through the lens of sisterhood. It follows the journey of an only child seeking direction, guided solely by the presence of a distant sisterly figure. As symbols of sacred ancestry, ‘komainu’ are lion-dog statues found protecting Japanese temples. Though found in pairs, the two are not the same. Unique […]
2025 State of Play Festival: Leila Awadallah – shuhada alive-streamed un-ceased FIRE
ODC Theater
Leila Awadallah’s duet with a unique, self-playing musical instrument confronts and distorts the tropes of the Arab, feminine body often perceived as a seductive other or used as a threat against the State. The music continuously builds into a drone-like soundscape that drives Awadallah’s experimental Baladi movement. While she moves, she speaks Palestinian stories and […]
2025 State of Play Festival: gizeh muñiz – FISHBLOD
ODC Theater
Damn, I think this piece is about adoration... and devotion. But also, disobedience. omg and obsession. This piece is about TRUST ing ing ing ing ing ing ing ing. To Trust your Wild ness *this piece is the first […]
2025 State of Play Festival: Leila Awadallah – shuhada alive-streamed un-ceased FIRE
ODC Theater
Leila Awadallah’s duet with a unique, self-playing musical instrument confronts and distorts the tropes of the Arab, feminine body often perceived as a seductive other or used as a threat against the State. The music continuously builds into a drone-like soundscape that drives Awadallah’s experimental Baladi movement. While she moves, she speaks Palestinian stories and […]