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Book Review: Like A Bomb Going Off
Some performances you never forget. One took place in January 1995 when the Kirov-trained Nikita Dolgushin brought a small group of dancers from St. Petersburg, Russia to the Palace of […]
In Practice: Ramon Ramos Alayo and John Santos
This year, the San Francisco Ethnic Dance Festival (SFEDF) takes place for the first time at the San Francisco War Memorial Opera House. It is also the first year that […]
Welcome
Someplace, else Over dinner with my best friend Danelia, who is an outdoor educator and leader, I expressed a desire to leave San Francisco for some ‘nature therapy.’ I shared […]
Welcome
Size matters, mostly. I like my encounters to feel big and bold. In a space where bodies defy expectations in size, ability, race, and gender, while providing intimate physical moments […]
The Complexities and Contradictions of Awards Ceremonies
Mikhail Baryshnikov has a slew of honors to include in his biography, and for years listed prominently the “Bessie,” or New York Dance and Performance Award, which he was given […]
Critical Dialogues: Rachel Howard and Gregory Dawson
What if, rather than writing a review, a critic sat down with a choreographer to have a two- way conversation about the work? That’s the experiment behind Critical Dialogues. For this […]
Critical Dialogues: Heather Desaulniers and Christy Funsch
What if, rather than writing a review, a critic sat down with a choreographer to have a two-way conversation about the work? That’s the experiment behind Critical Dialogues. For this […]
In Conversation: Afrofuturism with Raissa Simpson
Raissa Simpson is a socially conscious artist that holds community building at the core of her repertoire. Witnesses of her work have seen in-depth studies of topics ranging from Judgment […]
Approaching a Quarter Century at Smuin
“How does it feel to be on the cusp of Smuin’s 24th season?” This was the first question I posed to Artistic Director Celia Fushille during a recent conversation about […]
Critical Dialogues: Rachel Howard and Pearl Marill
WHAT IF, rather than writing a review, a critic sat down with a choreographer to have a two-way conversation about the work? That’s the experiment behind Critical Dialogues. For this […]