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Collaboration as Beautiful Mystery: A Glimpse into Kim Epifano’s Botany’s Breath
Artistic collaboration is huge in today’s modern dance scene. And when something is so prevalent, there is a desire to categorize it; assign it a name and file it in […]
Inclusion in Education: Children with Autism
Allison is five years old. She attends dance class each week at her public school in Oakland. In class, Allison spins, jumps, and sways to the music, laughing as she […]
Looping Back to San Francisco: Kim Epifano’s Web of Art Making
Recently returned from Mexicali, Mexico and currently preparing for her Home Season at the ODC Theater in June, Kim Epifano relishes traveling with the task of making art in another […]
Heavens’ Coming to the Bay: An Interview with Miguel Gutierrez
Arriving on the West Coast in June, as part of a teaching/performing tour, Miguel Gutierrez will present his newest work, HEAVENS WHAT HAVE I DONE; the piece has been performed […]
Israel Gone Gaga: Batsheva to the Max
Float. Pull your bones. Smear your flesh on the ground. Connect to your pleasure. Quake. Stretch your face. Find the snake in your spine. Put a good taste in your […]
Israel Gone Gaga: Batsheva to the Max
Float. Pull your bones. Smear your flesh on the ground. Connect to your pleasure. Quake. Stretch your face. Find the snake in your spine. Put a good taste in your mouth. Melt. Connect to your form. Take an ice cold shower. Boil like spaghetti. Find your groove. Above all, don’t stop moving.
Ten Tips for Individual Appeal Letters
At some point in our careers as artists we come face-to-face with fundraising for our creative projects. This can be thrilling and exhilarating—serving as a rite-of-passage into the next phase […]
Participating Artists
Amara Tabor-Smith is a San Francisco NATIVE. Born on Majestic Ave, raised on Castro St. She is a dancer because of ED MOCK who taught her about music, spirit, love, […]
Embracing Fat: Technique, Performance and Movement Innovation
The following article is the first in a three-part series on body image and dance. Look for Part II in June and Part III in the July/August issue of In Dance
Fearless Grantwriting
EVERY ARTS ORGANIZATION will have to defend a seemingly indefensible situation to a potential funder at some point. Your first instinct might be to do everything you can to avoid […]
