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Culturally specific dance is a lifeline for diverse cultural communities throughout the United States to stay connected to our cultural roots. This article explores the role of culturally specific dancers to address important social justice issues of our time and the capacity building support needed to maximize their impact on the communities they serve as well as the dance sector at-large.

“We had an incredible Practitioner Exchange last night!” I tell my Luna colleagues, “I laughed, I even cried, we danced around, and the conversation just flowed.” I realize as I’m saying this, that I’m not fully describing the depth of the discussion, and that in fact, it sounds a bit trite.

One of my jobs is college admissions essay coach. The most popular platform for college admissions is called the Common Application. Over 900 colleges and universities use the Common App as their gateway for admission. The Common App requires the usual stuff:

We live in a time where love costs. As an example, I love this country but do I love all the people here? The cost is to feel fully. The cost is to believe that no matter what’s going on in the world there will be grief, goodness, ugliness, rebellion, confusion and love. As the lyrics to the song go, “what the world needs now is love sweet love….”

You are reading excerpts from Claudine Naganuma and Selma Apara’s recorded conversation. Listen to the conversation. Transcript of the full conversation

THE NOVEMBER 2015 In Dance article, Finding Flamenco by Heather DeSaulniers, inspired me to focus my own research on a unique dance form, therefore I have pulled together a variety […]

In 2013, choreographers Christy Funsch and Peiling Kao held a performance in the former Meridian Gallery on Powell Street, where they danced in response to new paintings by British postmodernist Abby […]