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Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
Dance/USA: A Summer Camp Survival Guide
Like camp as a kid, the national dance community can look forward to Dance/USA’s Annual Conference each summer. Except, instead of the arts & crafts table, scary campfire stories, and […]
Welcome, Dec 2010
It has been a good year. Entering the last month of 2010 provides me with the time to unwind, while enjoying the perennial holiday gatherings that always abound, and take […]
eMotion Arts: A Conversation with Mariana Sobral and Susannah Faulkner
Photo by Kyle Adler Artistic Director Mariana Sobral and Assistant Director and Company Manager Susannah Faulkner discussed their company eMotion Arts with Dancers’ Group. eMotion Arts is a contemporary ballet […]
Welcome, Oct 2010
I was recently confronted with the saying, “If you can spot it, you got it,” which I took as this: the faults I so easily point out in others are […]
given, found, finding, making, re-making, finding again
Photo by Hong Xu. [ID: A young Chinese father wears a long-sleeved collared shirt and tie, holding his baby daughter half-wrapped in a towel. He’s in the middle of exclaiming […]
Marketing Your Art 101: Creating Dances and Creating Audiences
FIRST LET ME START WITH A DISCLAIMER: Some of the ideas I broach in the next few paragraphs are practices that have not actually been implemented by our organization. Marketing […]
Grassroots to Cyberspace: Evolution of Dancing Earth
Birthed from a vision from Founding Artistic Director Rulan Tangen to create global Indigenous contemporary performing arts opportunities, Dancing Earth is rooted with one foot in Yelamu – occupied Ohlone territory also known as San Francisco, California and the other foot in Ogaa Po Ogeh – occupied Tewa territory also known as Santa Fe, New Mexico.
Going Gaga: New Movement in the Middle East, Sept 2009
Blessed with a small grant and an apartment I found on Craigslist, I travelled recently to Israel and Palestine’s Occupied Territories to investigate dance and cultural diversity. For five weeks […]
Dance Discourse Project #19
Re-imagining Our Cultural Commons: Making Spaces for Dance Hosted at [freespace] in San Francisco, CounterPulse and Dancers’ Group invited the public into a discussion of the tactics, modes and imagination […]
