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First You Must Observe
Shortly after WWII, educators in Reggio Emilia, Italy came together determined to ensure that fascism would never again occur in their country. Hope for the future would lie in the […]
Combining It All: An Interview with Antony Rizzi
Dancer-actor-visual-artist extraordinaire Antony Rizzi is coming February 7-9 to KUNST-STOFF arts to perform An Attempt to Fail at Groundbreaking Theater with Pina Arcade Smith, his recent piece where he simultaneously […]
Anna Halprin’s Art Filled Life on View at YBCA
Anna Halprin parked her white Volvo at the receiving dock of Yerba Buena Center for the Arts and unloaded twelve trash bags full of leaves. The task-oriented performance artist, considered […]
Dance History According to Drag, Jun 2007
“A dancer’s life is a realist’s life,” says the woman onstage in a weary, regal voice. Standing in a dramatically pooled spotlight that glitters off her spangled dress and causes […]
Seventy-five and Wildly Alive: San Francisco Ballet Commissions Ten New Works
San Francisco Ballet artistic director Helgi Tomasson could have chosen to make the company’s 75th anniversary an exercise in self-glorification and nostalgia. Instead, he’s taking a gamble on the future. […]
The Art of the Possible: Increase funding for the arts in 2008
It has been four years since the California Arts Council’s (CAC) budget was drastically cut by 94% leaving our state at the bottom of the nation in per capita spending […]
Hope Comes Home
In an election year, everything begins to sound like a political slogan. Take the name, “Hope Mohr.” Is that catchy or what? Of course, that’s not fair—except nothing’s fair, it’s […]
SFPALM: New Name, Big Plans
Whether it’s the Opera, the incomparable San Francisco Ballet, ODC Dance, or Alonzo King’s Lines Ballet, performances are fleeting and committed to the memories of those who witnessed them. This […]
Speak: Supporting Spirit through Bomba and Philanthropy
I was making my way home from the Financial District to the Mission on BART after work; feet pinched by the not-so-comfortable shoes I wore that day as part of […]
Anna’s Postmodern Children
Sitting in Yerba Buena’s theater last March, I was mystified by the ecstatic reaction French choreographer Jérôme Bel received restaging his “encounter” with classical Thai dancer Pichet Klunchan. All around […]
