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First Things First
Northwest Arkansas and Benton County roller derby leaguers at the Meet the Momentary festival in Bentonville, Arkansas Photo by Erika Chong Shuch First things first: how are you? Amid the […]
In Conversation: Afrofuturism with Raissa Simpson
Raissa Simpson is a socially conscious artist that holds community building at the core of her repertoire. Witnesses of her work have seen in-depth studies of topics ranging from Judgment […]
Education Matters: Four Artistsā Methods for Teaching College-aged Dancers
WHEN UNDERGRADUATES FACEĀ the decision of majoring in dance or another discipline, they are often confronted with questions about the usefulness of their degree or the chances of pursuing a career […]
A Conversation on Inquiry and Performance with Tammy Johnson and Larry Arrington
This year marks the 5th Anniversary of Deborah Slater Dance Theaterās Studio 210 Summer Residency. As an arguably unicornesque opportunity. In a city where rehearsal and performance space rental fees […]
Outside Looking In; The ESP Project Explores Separation and Incarceration in 51802, Sept 2007
Preview of ESP Projectās upcoming dance-theater performance around the emotional implications of having a loved one in prison.
ANNA HALPRIN: Redefining Dance at 95
ANNA HALPRIN is, quite simply, amazing. InĀ July sheāll turn 95, but she is still activelyĀ teaching, experimenting, creating, performing,Ā and changing peopleās lives through herĀ approach to dance. āI have an enduring loveĀ for […]
Dance Criticism; The Relationship Between Critics and Artists
This is an abbreviated version of an essay on the role of dance critics in the dance art world. It began as a course paper, and has grown over the past few months through conversations with choreographer Kegan Marling.
In Practice: Holding Wait with Jo Kreiter
On a rainy afternoon in March, I met with Jo Kreiter, choreographer, artist-activist, and artistic director of Flyaway Productions, in a rehearsal space at Project Artaud, behind the Joe Goode […]
In Their Way: Ten Years of the Women on the Way Festival
In 1999, Mary Alice Fry became frustrated while running an arts space in SOMA called Venue 9. For several years she had been producing local women artists in a series […]
The Problem of āCulturally Specificā Dance: The Search for a Critical Multiculturalism in Dance, Apr 2009
One of the blessings of Bay Area living is our access to a rich variety of danceāa choreological panopoly often summarized, for the sake of convenience, as āmodern, ballet, and […]
