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March 2020
Read the digital edition: March 2020 In Dance Download In Dance as a PDF Articles Welcome by Wayne Hazzard In Practice: Photographer Pak Han by Sima Belmar Tips to Consider […]
Klanghaus: Prose and Confluence: A Queer Cowboy Musical
Prose and Confluence is a queer cowboy musical, featuring an original score and script, that playfully explores themes of loss, mourning, and understanding. Telling the tale of a grieving river […]
ONSITE: Ben Levy
Intimate Visibility A collision of new media, dance, and flash mob. March 16-27, 2010 San Francisco Intimate Visibility kicked off in Washington Square Plaza and Union Square Plaza on March […]
ONSITE: Patrick Makuakane
Hit and Run Hula Taking San Francisco by storm in a hula ambush. August 15, 2009 Various Hot Spots in San Francisco Hit and Run Hula Dozens of hula dancers hit […]
It’s–Still–Hard to Say
I invited writer and dementia caregiver Joyce Calvert to follow up on our previous article, “It’s Hard to Say.”
Documenting Dance Learning in Schools
I started teaching dance as a bit of a fluke. Just a week after moving to San Francisco, I jumped into teaching, replacing a dance teacher who had left the […]
Jester in the Router: Multi-site Performance Using The Internet
Imagine artistic and cultural exchange on a worldwide scale. One where live, truly collaborative performing arts events occur on a regular basis at multiple locations simultaneously, not simply connecting a […]
SPEAK: Two Artists’ Reflection on A Poet’s Love
with José Joaquín García “… the angry, bitter dreams, let us now bury them… throw [them] in the sea… I will also put my love and my suffering into it.” […]
Finding Creative Action in the Teaching World
Teaching artists can no longer afford to wait for administrator buy-in or to be offered a seat at the table. In the January/February 2014 issue of In Dance, I described the […]
In Practice: Tonya Marie Amos
In a 1993 interview, Toni Morrison said, “The people who practice racism are bereft. […] It feels crazy. It is crazy. […] If you can only be tall because somebody’s […]
