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How to Create Compelling Video
The following excerpts on video representation and production were taken from “Creating an Effective Promotional Video” (1994). We are grateful to Patricia Milich and the California Arts Council for providing […]
Outer Space to Inner Space: Universal Themes, Very Different Styles
Amara Tabor-Smith/Deep Waters Dance Theater shares a bill with Cathie Caraker and Katarina Eriksson from March 5-7 at CounterPULSE. Upon first reading the descriptions and approaches taken by the artists, […]
Documenting Dance Learning in Schools
I started teaching dance as a bit of a fluke. Just a week after moving to San Francisco, I jumped into teaching, replacing a dance teacher who had left the […]
The Crisis in Criticism: The Economy, the Internet and the Death of Dance Writing, Jun 2009
If you are reading this, odds are you earn at least part of your living working in the arts, or are a committed member of the dance audience. Let me […]
Driving the Ethnic Dance Festival: Behind the Scenes with Julie Mushet
At the Fort Mason Center, located in the windy northern part of San Francisco, I sat down with Executive Director Julie Mushet in the World Arts West (WAW) office. Accompanying […]
Jill Togawa’s Dreams and Driveways
On July 28 Jill Togawa, Director of Purple Moon Dance Company, and I held a conversation in my Berkeley home regarding her upcoming site specific performance work, When Dreams Are […]
Dance Criticism; The Relationship Between Critics and Artists
This is an abbreviated version of an essay on the role of dance critics in the dance art world. It began as a course paper, and has grown over the past few months through conversations with choreographer Kegan Marling.
Notes From a Suitcase
MAY 2009 – In A Dance Studio In America During a recent rehearsal I rediscovered a recording of my young Ethiopian students singing. It transported me back to the village […]
A Breath and a Hum, and a Move Like Mango: An Interview with Deaf Dancer & Choreographer Antoine Hunter
Transcribing my interview with Deaf dancer, choreographer and teacher Antoine Hunter, I am acutely aware of how much every conversation relies upon a unique choreography of gestures, expressions and empathy. […]
Brown and Rauschenberg: Forays into Collaboration
Hopkins Center, Dartmouth College Loew Auditorium, Hood Museum of Art September 24, 2009 Jeff James, Howard Gilman Director of the Hopkins Center for the Arts: Welcome to a conversation between […]
