Hip Hop Her Way; An Interview with Sisterz of the Underground’s Sarah Smalls

Sisterz of the Underground (SOTU) is a community, network, and support system created by, and for, females who choose hip-hop as a form of expression. As an open hip-hop collective, […]

History in the Taping: Confessions of an Accidental Dance Videographer

As I was preparing to write this article about dance documentation, it occurred to me that it has been exactly ten years since Shelley Trott and I started the interviews […]

Israel Gone Gaga: Batsheva to the Max

Float. Pull your bones. Smear your flesh on the ground. Connect to your pleasure. Quake. Stretch your face. Find the snake in your spine. Put a good taste in your mouth. Melt. Connect to your form. Take an ice cold shower. Boil like spaghetti. Find your groove. Above all, don’t stop moving.

Bring Your Best Social Self to #DanceUSAconf

This year you will not get a folder filled with schedules, bios, and panel descriptions. Instead, organizers chose the eco-friendly option and made a mobile app that will contain your […]

PEER Practices in Context

GENERATION Y lives in a world saturated with information. Those of us who were born between the early 1980s and the early 2000s grew up with the Internet and as […]

An American in Düsseldorf: Shifts in Perspective: Experience at a European Dance Festival

This summer I was invited to join Dance/USA as part of the American delegation at the Internationale Tanzmesse NRW, a biennial international dance festival and conference in Düsseldorf, Germany. I […]

A Closer Look at the “Unconventional Dancer”

Developed in collaboration with homeless youth, choreographer Isak Immanuel’s newest piece, Illegal Echo, is a process-oriented work “concerning the themes of peripheral identity, transience and memory.” For Immanuel, the themes […]

SPEAK: Memory/Place

“Is it possible I think of my home in every thought, in every hour? I surrender myself. I dedicate to her these teardrops continually falling.” — From IIbn Hamdis’ ancient […]

In Conversation with Vanessa Sanchez

Who’s getting funded and who has access to getting funded? And really looking at a lot of my mentors in the Bay Area and beyond who…have changed and shaped communities and done this work for decades and decades and decades, but because of resources and because of language barriers, they aren’t necessarily able to apply and receive the funding they should be. With that, I just felt it really important in that I don’t want to be one of the only ones from the Bay Area – in our kind of world of dancers of color who are coming from dance forms from traditionally Black and brown communities – I don’t want to be one of the only ones getting this. There are so many more people who need and deserve this – this funding.

In Practice: Holding Wait with Jo Kreiter

On a rainy afternoon in March, I met with Jo Kreiter, choreographer, artist-activist, and artistic director of Flyaway Productions, in a rehearsal space at Project Artaud, behind the Joe Goode […]