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1. A point is that which has no part. 2. A line is breadthless length. 3. The ends of a line are points. 4. A straight line is a line […]

The truth is, I never felt quite at home as a modern dancer. I always had the sense I was trying to make myself move like someone else – someone […]

“When I started making work, no one was paying any attention whatsoever,” Amy Seiwert recalls. After nineteen years spent dancing for Sacramento Ballet and Smuin Ballet, she launched her choreographic […]

Kinetech Arts is a collective of artists, scientists and technologists, born at KUNST-STOFF arts in January 2013. The word Kinetech is the combination of Kine-sthesia and Tech-nology and is envisioned […]

My relationship with heights is not a good one. I’m no fan; we’ve never been friends; and I would even characterize our co-existence as mildly contentious. For me, the ground […]

For the last several years, choreographer and somatic movement therapist Liz Boubion has collaborated with a variety of artists from different genres, to deconstruct piñata rituals in theaters, galleries and […]

THE FOLLOWING IS AN EXCERPT of a longer paper and is the result of many consultations and conversations involving Dancers’ Group board members, staff, members, funders and other stakeholders. The authors are indebted […]

Advocacy has long been one of those big, broad words whose definition I knew in theory, but I’d never experienced it firsthand to gain true insight into its meaning—and outcomes. In imagining what my first […]

Religion is very personal, and yet, since the beginning of time, it has been of great influence to societal structure at just about every level, including the arts. For many dance forms, […]

At 70, Sara Shelton Mann remains not only one of the Bay Area’s preeminent artists, but a restless, galvanizing seeker. Her latest project, The Eye of Horus—made in collaboration with David Szlasa […]