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SPEAK: Memory/Place
“Is it possible I think of my home in every thought, in every hour? I surrender myself. I dedicate to her these teardrops continually falling.” — From IIbn Hamdis’ ancient […]
To PhD or Not to PhD
An overview of PhD programs across the U.S. and U.K.
July/August 2017
Welcome by Wayne Hazzard Stepping Out of Your Niche by Rita Felciano Wandering into New Terrain: Amy Seiwert’s Imagery – Sketch 7 by Heather Desaulniers In Practice: Ramon Ramos Alayo and John […]
September 2017
Welcome by Wayne Hazzard Stepping Out of Your Niche by Rita Felciano Wandering into New Terrain: Amy Seiwert’s Imagery – Sketch 7 by Heather Desaulniers In Practice: Ramon Ramos Alayo and John […]
May 2017
Welcome by Michelle Lynch Reynolds Gaining Perspectives, Changing Perceptions – Article #3: The Illusion of Borders by Farah Yasmeen Shaikh Turning Thirty: Joe Goode Performance Group Celebrates a Very Vital Enterprise […]
September 2017
Welcome by Wayne Hazzard New View: Vanessa Camarena-Arredondo by In Dance Finding an eXquisite New Orientation by Michael Nugent Approaching a Quarter Century at Smuin by Heather Desaulniers Direct from […]
October 2017
Welcome by Michelle Lynch Reynolds Expanding Expressions: Madhuri Kishore brings Kuchipudi to the Landscape of Bay Area Indian Dance by Rob Taylor The Call: San Francisco Native Margaret Jenkins Always […]
November 2017
Welcome by Wayne Hazzard, Executive Director Innovative Artist and Traditional Teacher: the Passions of Cambodian Choreographer Charya Burt by Rob Taylor In Practice: Smith/Wymore Disappearing Acts’ Six Degrees of Freedom by […]
The 2017 Fires: Reflecting and Preparing
In October of this past fall, swaths of Napa and Sonoma Counties were burned. Like so many, Dancers’ Group staff smelled the smoke from our office in San Francisco, more […]
April 2017
Welcome by Wayne Hazzard In Practice: Mix’d Ingrdnts Performing Resistance by Sima Belmar SPEAK: Reaching Further by Deborah Vaughan Five Tips for Getting Your Money Shit Together by Amy Smith The Body Politic: Baroque […]
