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Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
Collective Matters on Dance and Other Body Modifications
Dancing Around Race (DAR) explores the socio-cultural dimensions of race within the interconnected fields of choreography, dance presentation, dance training, funding, curatorial practices, and dance criticism in U.S. contemporary and […]
Philanthropy Future/Present
Ten years from now: these things I know. New program officers will think they are smarter and funnier than their predecessors. Foundations will have undergone (at least once) strategic planning […]
to remain empty at all times, an effervescent palimpsest (or love letter) for the heart
Estrellx Supernova Photo by Williams College Photography Club. [ID: Estrellx is laying naked, face down, spiritually surrendering their body along the riverbank of The Green River in Williamstown, MA. The […]
Gaining Perspectives, Changing Perceptions: ARTICLE #1: How Politics and Power Shaped Dance in Pakistan
In a time where hatred and violence are a common occurrence abroad and in the U.S., I believe that artists play a critical role as cultural ambassadors and social change-makers. […]
Preserving, Building and Connecting: Addressing Social Justice Issues through Culturally Specific Dance
Culturally specific dance is a lifeline for diverse cultural communities throughout the United States to stay connected to our cultural roots. This article explores the role of culturally specific dancers to address important social justice issues of our time and the capacity building support needed to maximize their impact on the communities they serve as well as the dance sector at-large.
On Gender and Performance: Six Statements by Six Artists
Comments by Akram Khan in January about women in the dance world(1) sparked a flurry of responses, both online and in publications. Dancers’ Group has decided to examine this topic more carefully […]
Notes From a Suitcase
MAY 2009 – In A Dance Studio In America During a recent rehearsal I rediscovered a recording of my young Ethiopian students singing. It transported me back to the village […]
What Does “Healthy” Mean? A Look at Dancers’ Body Types and Shifting Notions of Wellness
It wasn’t so long ago that university dance programs were affiliated with physical education departments, and some schools were slower than others in moving their dance students into the humanities. […]
Gaining Perspectives, Changing Perceptions – ARTICLE #2: Our World in Constant Motion
Editors Note: In the December 2016 issue of In Dance Farah Yasmeen Shaikh wrote about her experiences as a Pakistani Muslim-American woman Kathak artist and her work teaching and performing […]
