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Inclusion in Education: Children with Autism
Allison is five years old. She attends dance class each week at her public school in Oakland. In class, Allison spins, jumps, and sways to the music, laughing as she […]
The Dance v. The Critic: Who Has The Right to Write?
IN 2007 IN DANCE DEVOTED a majority of its November issue to the topic of dance criticism. Many critics and community members commented on the threat of a kind of […]
Israel Gone Gaga: Batsheva to the Max
Float. Pull your bones. Smear your flesh on the ground. Connect to your pleasure. Quake. Stretch your face. Find the snake in your spine. Put a good taste in your mouth. Melt. Connect to your form. Take an ice cold shower. Boil like spaghetti. Find your groove. Above all, don’t stop moving.
Crossroads: Part II: Choreographers
THIS ARTICLE is the second in a three-part series on the transformative experiences of Bay Area dancers, choreographers and dance teachers. The first article on dancers ran in the September […]
Welcome, May 2010
Community — A complex notion? Or as simple and essential as breathing? Our community can be represented by those we are born into, or those we choose for consistent needs […]
Quick and Clear, and Queer: An Interview with Keith Hennessy
Busy, busy—such is the life of an artist currently performing his own work both locally and in New York, simultaneously working on a PhD in Performance Studies, as well as […]
Embracing Fat: Technique, Performance and Movement Innovation
The following article is the first in a three-part series on body image and dance. Look for Part II in June and Part III in the July/August issue of In Dance
Israel Gone Gaga: Batsheva to the Max
Float. Pull your bones. Smear your flesh on the ground. Connect to your pleasure. Quake. Stretch your face. Find the snake in your spine. Put a good taste in your […]
CA$H Dance
Guidelines (for reference only) Download guidelines as a PDF The CA$H Dance grant may be used for a project, to support your artistic process generally, or to support you as […]
5 Minutes to Change the World Cabaret
COVID has changed how we work. But art can change how we think. Standing in the shards of the past and wading through the post-pandemic possibility, Springboard Performance asks Calgary, […]
