You are reading excerpts from Andréa Spearman’s recorded conversation with Alyssa Mitchel 10 in 10 theme music: Bright, upbeat pop music that you may hear in a teen-centered drama series. […]
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In Conversation with Vanessa Sanchez
Who’s getting funded and who has access to getting funded? And really looking at a lot of my mentors in the Bay Area and beyond who…have changed and shaped communities and done this work for decades and decades and decades, but because of resources and because of language barriers, they aren’t necessarily able to apply and receive the funding they should be. With that, I just felt it really important in that I don’t want to be one of the only ones from the Bay Area – in our kind of world of dancers of color who are coming from dance forms from traditionally Black and brown communities – I don’t want to be one of the only ones getting this. There are so many more people who need and deserve this – this funding.
In Conversation with Erik Lee
I’m very much so interested in this idea of opening new – it’s not a reopening, I’m not trying to return to the way things were before – I’m really invested in how we move forward.
The Reclaiming
But I was never formally taught how to advocate for myself—there’s no class for that. But what if I had been expected to point my feet, hold my core, and be able to speak up for myself? What if there had been language developed to approach difficult dance situations?
Preserving, Building and Connecting: Addressing Social Justice Issues through Culturally Specific Dance
Culturally specific dance is a lifeline for diverse cultural communities throughout the United States to stay connected to our cultural roots. This article explores the role of culturally specific dancers to address important social justice issues of our time and the capacity building support needed to maximize their impact on the communities they serve as well as the dance sector at-large.
I Wonder if My Neighbors Can Hear Me Singing
In March, when we received the Stay at Home Order, I was burnt out. Most days, I was driving in circles around the Bay to keep up with my freelance gigs, eating peanut butter sandwiches in my car between jobs, and desperately in need of a break. I couldn’t have imagined when we received that first Stay at Home order on March 16 that we would be here now.
