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You can still see the burn scars that dot the hills near the campus where I live, which is on the unceded territory of the Awaswas-speaking Uypi tribe and the Amah Mutsun Tribal Band

I work as an interdisciplinary movement-based artist. I shorten it to choreographer most of the time, depending upon where I am, who I’m talking to. Right now I am in […]

You’ve most likely heard the name Dance/USA. But what exactly does the organization do? Why, you may ask, do we need a national organization for dance when we’ve got support […]

Ah, stalking the elusive corporate donor! Back in the good ol’ fundraising days (the mid-80’s, in case you’re wondering), oil companies, banks, department stores, you-name-it, every corporation in America seemed […]

Nina Haft visited the Middle East in 2007 to experience the culture and see firsthand how people there use dance to address the immense challenges in their lives, from restricted […]

Edited by Maureen Walsh Traversing personal and cultural borders are two topics that the Performing Diaspora artists, staff and audience are talking about. I’ve sifted though the CounterPULSE blog, selecting […]

Contrary to common sentiment, ‘next-gen’ does not refer to ‘looking to the youngest person in the room.’ From our perspective, ‘next-gen’ refers to a combination of skills that are effective […]

CounterPULSE wanted to try something new with Performing Diaspora to better support work from artists, document the process of production and to interact with audiences. We created a virtual artist […]