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At a certain age—say, over 50— you might think that you’ve seen it all or not be surprised by much, or so goes conventional wisdom. Therefore, when I opened an […]

How long can a choreographer call herself emerging? I’m currently in the process of making a new work for a show in May. My company will be performing in our […]

I’ve had the wonderful privilege to work with some amazing choreographers and dancers throughout my dancing life, but to be truly honest, the people who have inspired me the most have […]

Religion is very personal, and yet, since the beginning of time, it has been of great influence to societal structure at just about every level, including the arts. For many dance forms, […]

For Sara Shelton Mann’s The Eye of Horus, five performers come together to perform solos that have been developed over the past several years and will now be placed outside and under […]

At 70, Sara Shelton Mann remains not only one of the Bay Area’s preeminent artists, but a restless, galvanizing seeker. Her latest project, The Eye of Horus—made in collaboration with David Szlasa […]

CAN WRITTEN DECLARATIONS adequately express dance? The response: depends on the writer and the reader. Words on a page might be more definitive than movement on stage, yet the former […]

FOR EVERY CHOREOGRAPHER the prospect of presenting his or her first full evening of work represents a thrilling and terrifying creative milestone. This month choreographer Dana Lawton “takes the plunge” […]

I WAIT IN GREAT ANTICIPATION for Nora Chipaumire’s homecoming… her San Francisco Bay Area premiere of Miriam at the Yerba Buena Center for the Arts Forum February 13-15, 2014. To […]

Fifteen years ago, I found myself listening deeply to the stories my friends told about trying to teach dance in schools. Consider the experiences of two typical educators: Josh, a […]