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The Experiment Called Contact Improvisation
Contact Improvisation defies any specific definition or historical analysis. The dancer most often credited for CI’s development is ambivalent about his role and some of CI’s early participants have divergent […]
An American in Düsseldorf: Shifts in Perspective: Experience at a European Dance Festival
This summer I was invited to join Dance/USA as part of the American delegation at the Internationale Tanzmesse NRW, a biennial international dance festival and conference in Düsseldorf, Germany. I […]
Outer Space to Inner Space: Universal Themes, Very Different Styles
Amara Tabor-Smith/Deep Waters Dance Theater shares a bill with Cathie Caraker and Katarina Eriksson from March 5-7 at CounterPULSE. Upon first reading the descriptions and approaches taken by the artists, […]
SF Conservatory’s New SoMa Studios: An Expanded Vision for Ballet Education
Summer Lee Rhatigan has just opened a ballet school without mirrors. They teach Gaga. It’s like neo-Europe over there on 8th and Folsom, turning ballet dancers into improv artists, melting […]
Going Gaga: New Movement in the Middle East, Sept 2009
Blessed with a small grant and an apartment I found on Craigslist, I travelled recently to Israel and Palestine’s Occupied Territories to investigate dance and cultural diversity. For five weeks […]
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Bebe Miller’s A History Reveals the Body as Archive
In advance of her company’s West Coast premiere of A History January 25 and 26 at the Yerba Buena Center for the Arts (YBCA), Bebe Miller made a visit to […]
A Conversation on Women in the Arts
Patty Berne is a co-founder and executive director of Sins Invalid (sinsinvalid.org), a disability justice based performance project centralizing disabled artists of color and queer and gender non-conforming artists with […]
Critical Dialogues: Heather Desaulniers and Katherine Hawthorne
What if, rather than writing a review, a critic sat down with a choreographer to have a two-way conversation about the work? that’s the experiment behind critical dialogues. For this […]
Masks Off: Sara Shelton Mann Talks About Her New Set of Simultaneous Solos, The Eye of Horus
At 70, Sara Shelton Mann remains not only one of the Bay Area’s preeminent artists, but a restless, galvanizing seeker. Her latest project, The Eye of Horus—made in collaboration with David Szlasa […]
