An overview of PhD programs across the U.S. and U.K.
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Ad Infinitum Identities: The work of Pseuda & Kim Ip
Pseuda can be seen from a stage, holding two metal chain ropes attached to the limbs of another body. A doll, a dancer, Kim Ip. It’s Halloween, 2015, at B4bel4b Gallery, and the audience doesn’t yet know that Kim and Pseuda are chained together until they begin to stretch away, the chains syncing a nexus between bodies.
In Practice: NAKA Dance Theater in the time of COVID-19
Photos by Scott Tsuchitani On our way out of Margaret Jenkins’ CHIME event on December 8, 2019, José Navarrete invited me to have a conversation about NAKA’s social justice work, […]
Going Bicoastal: RAWdance Does a Triple Take
Photo by Hillary Goidell For fifteen years, under the banner of RAWdance, Wendy Rein and Ryan T. Smith have been teaching and producing work in San Francisco. Their leadership in […]
Intersections: Sex and Performance in the Bay Area
THIS IS WHAT I WANT (TIWIW) is an annual live performance festival in San Francisco about desire. The festival has developed into the focus point for a field of activity […]
The Salimpour School at 70: Belly Dance for the 21st Century
Surrounded by myths, misconceptions, and sometimes maligned, belly dance as we think of it today—with two-piece costumes baring the midriff, presented in restaurants and renaissance faires—is actually quite young. While […]
