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SPEAK: A Slim Corner of the World
Being asked to reflect on 20 years of dance making is daunting. So I have decided to write in the second person. Adrienne Rich, one of my favorite poets and […]
In Practice: Encounters Over 60 with Margaret Jenkins
Merián Soto, Photo by Bill Hebert In October and November 2019, I saw the work of three remarkable New York-based artists: Adia Whitaker, Miguel Gutierrez, and Tere O’Connor. Although O’Connor […]
Not Your Typical Tap: The Bay Area Tap Festival
The eighth annual Bay Area Tap Festival hits the boards August 16-22. A rapid-fire week of workshop classes, free panel discussions, and community showcase performances, all hosted by Alonzo King […]
Behind the Mask: The Jabbawockeez, America
Originally published in the July 11-17, 2008 issue of AsianWeek Proclaimed America’s best dance crew on the first season of MTV’s Randy Jackson Presents: America’s Best Dance Crew, the Jabbawockeez […]
The Salimpour School at 70: Belly Dance for the 21st Century
Surrounded by myths, misconceptions, and sometimes maligned, belly dance as we think of it today—with two-piece costumes baring the midriff, presented in restaurants and renaissance faires—is actually quite young. While […]
Brown and Rauschenberg: Forays into Collaboration
Hopkins Center, Dartmouth College Loew Auditorium, Hood Museum of Art September 24, 2009 Jeff James, Howard Gilman Director of the Hopkins Center for the Arts: Welcome to a conversation between […]
Pilot: Start-up Strategies for 2013
This article discusses the Pilot Program, ODC’s long-running incubator for emerging artists, and contextualizes how it functions within the San Francisco Bay Area as well as the larger dance community, […]
Keeping On Keeping On
This speech was delivered on June 3, 2009 at the Opening Plenary of Dance/USA’s annual conference in Houston, Texas, the theme of which was “Sustainable Future: Reality Check.” Originally a […]
An Old Friend in a New Light: Reflections on Collaboration in Bharatanatyam
With roots in temple ritual and salons passed from generation to generation through the hereditary dance and music community of Tamil Nadu, in post-colonial India, the practice began to attract students and performers from various backgrounds around the world as a performing art.
Gaining Perspectives, Changing Perceptions – Article #3: The Illusion of Borders
EDITORS NOTE: In this ongoing series for In Dance Farah Yasmeen Shaikh writes about her experiences as a Pakistani Muslim-American woman Kathak artist and her work teaching and performing in […]
