I WAIT IN GREAT ANTICIPATION for Nora Chipaumire’s homecoming… her San Francisco Bay Area premiere of Miriam at the Yerba Buena Center for the Arts Forum February 13-15, 2014. To […]
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Flying Somewhere New: Introducing the Center for Dance and Aerial Arts, in Conversation with Joanna Haigood
My relationship with heights is not a good one. I’m no fan; we’ve never been friends; and I would even characterize our co-existence as mildly contentious. For me, the ground […]
In Conversation with Latanya Tigner and Colette Eloi
You are listening to Part 1 & 2 from Andréa Spearman’s recorded conversation with Latanya Tigner and Colette Eloi. To read the transcript of Part 1 of the conversation, click […]
10 in 10 with Jessica Recinos
You are reading excerpts from Andréa Spearman’s recorded conversation with Jessica Recinos. 10 in 10 theme music: Bright, upbeat pop music that you may hear in a teen-centered drama series. […]
Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
Dancing Happens in Strip Malls Too
My first memories of learning dance were at the Strip Mall Dance Studio near my house in Lawrence, Kansas. The strip mall was creatively named “The Malls Shopping Center.” I don’t remember what the studio itself was called but I know exactly where it was—tucked in the corner of a row of single-story beige buildings that also housed Pet World (my favorite place on earth as a 4-year-old), an Ace Hardware (my second favorite place), and a Godfather’s Pizza.
