As the horrors of the ongoing U.S. funded Israeli genocide in Palestine pour into our social media feeds from Gaza over the last six months, it has become more clear to me how FLACC’s seemingly small, yet, public “platform” has more influence and power on a political and cultural stage than I realized.
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Editor’s Note, Dec 2009
I am a creature of habit. I love having a structured routine, knowing what to expect and seeing the next step before I take it. But it’s the deviations and […]
Jester in the Router: Multi-site Performance Using The Internet
Imagine artistic and cultural exchange on a worldwide scale. One where live, truly collaborative performing arts events occur on a regular basis at multiple locations simultaneously, not simply connecting a […]
A Banana Peel is Good for Headaches: Observations from the Traditional Arts Field
Between dinner and dessert one evening, Doba G., a medical doctor in her late seventies who emigrated from the Ukraine to San Francisco in 1993, gave me a tip: Lily: […]
Opening the Boxes
For some reason I have always been drawn to the rough spaces in theaters. There is a mood within these spaces that is rich with history, objects, technologies and stories […]
My Hot Lobotomy; Review: October 23, 2008
In My Hot Lobotomy by David Szlasa and Sara Shelton Mann the audience knows within moments that dancer/choreographer Erin Mei-Ling Stuart is one adroit actress. She sits alone for long […]
