A couple of years ago I was attending the bi-annual german Dance Congress in Berlin. At the end of a presentation by Alva Noë, a UC Berkeley, Philosophy of Perception […]
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Beyond Aesthetics: Bachata, Politics, Praxis
Originating among the (predominantly Black) rural poor in the Dominican Republic in the latter half of the twentieth century, bachata music and the accompanying dance steps were stigmatized by the sociopolitical elite as vulgar, low-class forms of entertainment unsuitable for polite society.
