Art-making is such an incredible process, especially through movement. You’re creating something intangible in space, making decisions as you see and feel it. Doing this with two differently trained bodies, finding the rhythm and dialogue between them, was both interesting and challenging.
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Edinburgh or Bust: Getting to the Fringe Festival
There are Fringe Festivals in almost every major city in the US (I’ve counted 16) and in many countries across the world. These theatrical extravaganzas celebrate unbridled creativity, uninhibited performance, […]
Dancers’ Group: Celebrating 30 Years
To help celebrate Dancers’ Group’s 30th anniversary this year, we have reached out to people to share a special remembrance. Throughout 2012 this publication will carry a few pieces per […]
FALLING FORWARD INTO NEW SPACES: In Conversation with Mary Armentrout
Why, What, When, Who and Where – life is full of these five ‘w’ questions. And that last ‘w’ (the where), seems of particular concern these days. From the prosaic to the logistic […]
CRITICAL DIALOGUES: Rachel Howard and Scott Marlowe
What if, rather than writing a review, a critic sat down with a choreographer to have a two-way conversation about the work? That’s the experiment behind Critical Dialogues. For this first installment, […]
Welcome, September 2014
While tackling domestic responsibilities, I multi-task, listening on the radio to music, news, game shows, and the wonderful tales presented on programs like This American Life. A few weeks ago, while paying […]

