Events
Explore Bay Area events submitted by the community. Join Dancers’ Group to hear about new & upcoming events in our weekly emails.
ODC Theater
San Francisco, CA 94110 United States Get Directions
Events at this venue
String Quartet No. ATE
Reyes Dance
Set in motion by Reyes’ adult Type 2 diabetes diagnosis, String Quartet No.ATE is a new evening-length dance exploring the tension between food, pleasure, and health. Accompanied by a live music performance of Shostakovich’s String Quartet No.8 by One Found Sound, this work moves through desire, temptation, obsession and resilience.
String Quartet No. ATE
Reyes Dance
Set in motion by Reyes’ adult Type 2 diabetes diagnosis, String Quartet No.ATE is a new evening-length dance exploring the tension between food, pleasure, and health. Accompanied by a live music performance of Shostakovich’s String Quartet No.8 by One Found Sound, this work moves through desire, temptation, obsession and resilience.
Mariana Valencia: Jacklean (Jacklean)
ODC Theater
Savor the thrill of the unexpected in Jacklean (Jacklean). Governed by play and collaborative improvisation, New York powerhouse choreographer and dancer Mariana Valencia’s improvised gestures are prompted by transmissions from Jazmin Romero’s vocal and instrumental repertoire of cumbia, punk, jazz, and electronic music. Can an everlasting process frame a final performance?
Mariana Valencia: Jacklean (Jacklean)
ODC Theater
Savor the thrill of the unexpected in Jacklean (Jacklean). Governed by play and collaborative improvisation, New York powerhouse choreographer and dancer Mariana Valencia’s improvised gestures are prompted by transmissions from Jazmin Romero’s vocal and instrumental repertoire of cumbia, punk, jazz, and electronic music. Can an everlasting process frame a final performance?
Mariana Valencia: Jacklean (Jacklean)
ODC Theater
Savor the thrill of the unexpected in Jacklean (Jacklean). Governed by play and collaborative improvisation, New York powerhouse choreographer and dancer Mariana Valencia’s improvised gestures are prompted by transmissions from Jazmin Romero’s vocal and instrumental repertoire of cumbia, punk, jazz, and electronic music. Can an everlasting process frame a final performance?

