"If you are not at the table, you are probably on the menu." This co-presentation with ODC Theater is part two and three of Deborah Slater Dance Theater’s inCIVILITY series— the acclaimed Outrage Machine (2018), a combination of motion capture, live interactive visual effects, and the expressive power of dance; and the world premiere of the third and final section, A Seat at the Table, in celebration of DSDT’s 30th Anniversary season. Inspired by an Adam Gopnik article, “…Who Deserves a Seat at the Table”,…

"If you are not at the table, you are probably on the menu." This co-presentation with ODC Theater is part two and three of Deborah Slater Dance Theater’s inCIVILITY series— the acclaimed Outrage Machine (2018), a combination of motion capture, live interactive visual effects, and the expressive power of dance; and the world premiere of the third and final section, A Seat at the Table, in celebration of DSDT’s 30th Anniversary season. Inspired by an Adam Gopnik article, “…Who Deserves a Seat at the Table”,…

"If you are not at the table, you are probably on the menu." This co-presentation with ODC Theater is part two and three of Deborah Slater Dance Theater’s inCIVILITY series— the acclaimed Outrage Machine (2018), a combination of motion capture, live interactive visual effects, and the expressive power of dance; and the world premiere of the third and final section, A Seat at the Table, in celebration of DSDT’s 30th Anniversary season. Inspired by an Adam Gopnik article, “…Who Deserves a Seat at the Table”,…

Triple Take is an eclectic trio of new works by RAWdance's three co-artistic directors. Wendy Rein and Ryan T. Smith are collaborating on a multi-part work, titled Shadow, the first chapter of which will be performed on this triple bill. The Healer, with choreography by Katerina Wong, takes inspiration from traditional Chinese medicine to shed light on our innate ability to overcome physical and emotional suffering. The final work adapts the Surrealist game of "Exquisite Corpse" as a way to…

Triple Take is an eclectic trio of new works by RAWdance's three co-artistic directors. Wendy Rein and Ryan T. Smith are collaborating on a multi-part work, titled Shadow, the first chapter of which will be performed on this triple bill. The Healer, with choreography by Katerina Wong, takes inspiration from traditional Chinese medicine to shed light on our innate ability to overcome physical and emotional suffering. The final work adapts the Surrealist game of "Exquisite Corpse" as a way to…

Triple Take is an eclectic trio of new works by RAWdance's three co-artistic directors. Wendy Rein and Ryan T. Smith are collaborating on a multi-part work, titled Shadow, the first chapter of which will be performed on this triple bill. The Healer, with choreography by Katerina Wong, takes inspiration from traditional Chinese medicine to shed light on our innate ability to overcome physical and emotional suffering. The final work adapts the Surrealist game of "Exquisite Corpse" as a way to…

Triple Take is an eclectic trio of new works by RAWdance's three co-artistic directors. Wendy Rein and Ryan T. Smith are collaborating on a multi-part work, titled Shadow, the first chapter of which will be performed on this triple bill. The Healer, with choreography by Katerina Wong, takes inspiration from traditional Chinese medicine to shed light on our innate ability to overcome physical and emotional suffering. The final work adapts the Surrealist game of "Exquisite Corpse" as a way to…

Following the success of her ballet about homelessness, From Shadows (ODC Theater, October 2017), Choreographer Marika Brussel announces the world premiere of her new work, House of Names: an evening-length contemporary ballet about issues of social justice including immigration, women in the #metoo era, and poverty. House of Names will consist of four original pieces, all focusing on women in biblical and mythological stories: Lot’s Wife, Cassandra, La Llorona and, potentially, Lilith. Brussel will be exploring these stories with a…

Following the success of her ballet about homelessness, From Shadows (ODC Theater, October 2017), Choreographer Marika Brussel announces the world premiere of her new work, House of Names: an evening-length contemporary ballet about issues of social justice including immigration, women in the #metoo era, and poverty. House of Names will consist of four original pieces, all focusing on women in biblical and mythological stories: Lot’s Wife, Cassandra, La Llorona and, potentially, Lilith. Brussel will be exploring these stories with a…