In Dance


Israel Gone Gaga: Batsheva to the Max

Float. Pull your bones. Smear your flesh on the ground. Connect to your pleasure. Quake. Stretch ...


Welcome, Dec 2011

Looking back, looking forward. Sometimes it's best to state the obvious: Like when a friend has a ...


Next-Gen Interventions: What We Need To Perform

Contrary to common sentiment, 'next-gen' does not refer to 'looking to the youngest person in the ...


Laura Arrington and Jesse Hewit: An Interview

While they've never collaborated to make a work together, Laura Arrington and Jesse Hewit shared the ...


Dance Film Review: Teenagers Asked to Take on Pina Bausch

Dancing Dreams documents the collaborative journey between forty non-dancing teenagers and Pina ...


Sauna Series

I work as an interdisciplinary movement-based artist. I shorten it to choreographer most of the ...


Dynamic Adaptability: Change Management, Design Thinking, Failure, Power and the Participatory Ghetto

However in museums working with artists, the assumption that no one should understand the artist is ...


New View

With fresh faces popping up constantly, the local Bay Area dance community is a unique blend of ...


Living and Moving in a Way that Grows: A Look at Sustainability

Shop locally. Eat regionally. These are two adages that get thrown around often in the culture that ...


Getting in on the Act: Activating the Arts

What exactly do you mean by 'participatory arts practices'?" a dancer recently asked me. A ...