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In Practice: NAKA Dance Theater in the time of COVID-19
Photos by Scott Tsuchitani On our way out of Margaret Jenkins’ CHIME event on December 8, 2019, José Navarrete invited me to have a conversation about NAKA’s social justice work, […]
To PhD or Not to PhD
An overview of PhD programs across the U.S. and U.K.
A Decade of Difference; Voice of Dance Comes Into Its Own, Mar 2007
An overview of the online hub for dance’s development into an international web destination.
For the Love of Dance; Dance Writers on Criticism, Nov 2007
Dancers’ Group asks seven Bay Area dance critics questions about their jobs and role of dance criticism.
History in the Taping: Confessions of an Accidental Dance Videographer
As I was preparing to write this article about dance documentation, it occurred to me that it has been exactly ten years since Shelley Trott and I started the interviews […]
What’s Your NON-DANCE Job?
Numerous artists have passions in other fields. In the dance community it is not unheard of to have multiple jobs, dance related or not. In Dance posed the question to […]
Sustaining the Field Through Change: Facilitate Community by Releasing Control
Reluctance to embrace innovation holds the field of dance in stasis. This reluctance (or hesitation) limits outreach, spreading and feeding what many call “fear of change.” My interest lies in […]
Marketing Your Art 101: Creating Dances and Creating Audiences
FIRST LET ME START WITH A DISCLAIMER: Some of the ideas I broach in the next few paragraphs are practices that have not actually been implemented by our organization. Marketing […]
Pilot: Start-up Strategies for 2013
This article discusses the Pilot Program, ODC’s long-running incubator for emerging artists, and contextualizes how it functions within the San Francisco Bay Area as well as the larger dance community, […]
For You, For All of Us
The recent production of For You at the Marin Headlands was intended to be a break from self-absorbed, opaque art. Conceived by interdisciplinary performance maker Erika Chong Shuch, the April […]
