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An open letter to the lost
The main form of dance I practice as of late is Contact Improvisation (CI). The name tells you everything: you are improvising while in contact with another person or […]
Studies on Aging Performing Artists
The following is a reprinting of an executive summary written on an ongoing research project regarding aging artists in America, what the project has been finding, and where the research […]
In Practice: Colleague-Criticism
In 2009, I published an essay in this publication (In Dance) about a work by choreographer Randee Paufve, a dear friend of mine. I didn’t know it at the time, […]
Leading the Dance Field Through Change
During my first few months as the executive director of Dance/USA, I engaged dance leaders from around the country in conversations about the state of the field. What are they […]
Behind the Mask: The Jabbawockeez, America
Originally published in the July 11-17, 2008 issue of AsianWeek Proclaimed America’s best dance crew on the first season of MTV’s Randy Jackson Presents: America’s Best Dance Crew, the Jabbawockeez […]
Hope Comes Home
In an election year, everything begins to sound like a political slogan. Take the name, “Hope Mohr.” Is that catchy or what? Of course, that’s not fair—except nothing’s fair, it’s […]
A Legacy of Innovation Within Tradition: Talking About Creating New Work with Celine Schein and Rachna Nivas
I am in the Dogpatch neighborhood of San Francisco visiting the administrative offices of the Chitresh Das Dance Company (CDDC) and Chhandam School of Kathak, founded by dancer, choreographer and […]
Dancing Through a Jewish Lens
How does being Jewish shape our lives and our work as dance artists? What do we have to contribute from a Jewish perspective? Just as I was finding my voice as a […]
Alicia Alonso Turns 90 U.S. Dancers Honor Her in Havana
THE 22ND International Dance Festival in Havana, Cuba, from October 28-November 7, 2010, celebrated the 90th birthday of Alicia Alonso, considered one of the most outstanding ballet dancers of the […]
