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Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
In Practice: Stepping Back to Move Forward with Cherie Hill, Hope Mohr, and Karla Quintero
Dancers’ Group · In Practice: Stepping Back to Move Forward with Hope Mohr, Cherie Hill, and Karla Quintero If you prefer to read this piece, continue below. Beginning on […]
For the Love of Dance; Dance Writers on Criticism, Nov 2007
Dancers’ Group asks seven Bay Area dance critics questions about their jobs and role of dance criticism.
What’s in Place
Not every year is like 2015. The Supreme Court upheld marriage equality, the Warriors won the NBA title, and we celebrated Anna Halprin’s 95th birthday. The median price of a […]
Notes from an Invited Spy: My RSVP to 95 Rituals
“…How am I even going to write about this emerging, unfolding thing?…” I wrote this after my first day observing theater and dance company inkBoat in rehearsal for 95 Rituals, […]
ONSITE: AXIS Dance Company
Occupy A site-specific journey through an urban garden Choreographed by renowned site artist Stephan Koplowitz With an original score by Pamela Z AXIS Dance Company, Dancers’ Group and Yerba Buena […]
Synchronous Objects: What Else Might Dance Look Like?: An Interview with Professor Norah Zuniga-Shaw
Back in college, while in one of my countless rehearsals I remember thinking, “I wonder what areas of the stage we use the most?” Little did I know that this […]
Ten Tips for Creating a Top Performing Website
Think back to the last dance performance you saw: How did it inspire you? What feelings did you have after you left the performance? How did you hear about it? […]
The Crisis in Criticism: The Economy, the Internet and the Death of Dance Writing, Jun 2009
If you are reading this, odds are you earn at least part of your living working in the arts, or are a committed member of the dance audience. Let me […]
Mash Up: Capacity Building in a Time of Continual Flux
There are least two levels of capacity building: practical usable tools, like technology and web-based platforms, and foundational skills, like adaptability, transparency, agility, and the ability to make clear decisions. […]
