Here’s To Hip Hop: Hip Hop Is Here

From old school movements like the Richmond Robot and Oakland Boogaloo, to Hyphy and Turfing to San Francisco’s ‘new style’ hip-hop choreography, the Bay Area is a hub for hip-hop […]

Dance Play Is Serious Business: Young Minds Require Freedom

Photo courtesy of artist “There can be no keener revelation of a society’s soul than the way it treats its children” -Nelson Mandela Recently, a colleague shared his frustration about […]

Care. Liberation. Now.: Changing Shape, Shaping Change

Dancing Care In April 2021, right after we’d both been vaccinated, I began to meet weekly with a dancer friend and collaborator.  We met, keeping our masks on, in my […]

In Practice: Colleague-Criticism

In 2009, I published an essay in this publication (In Dance) about a work by choreographer Randee Paufve, a dear friend of mine. I didn’t know it at the time, […]

For the Love of Dance; Dance Writers on Criticism, Nov 2007

Dancers’ Group asks seven Bay Area dance critics questions about their jobs and role of dance criticism.

Notes on Rendering Vessels

This writing is an accumulation of reflections on transformation taken from dark/lessons/rupture, an evening of performance excerpts featuring new works by Jess Curtis and Beyond Gravity artists, Silk Worm and RUPTURE (jose e. abad, Gabriele Christian, Stephanie Hewett, Styles Alexander, and Clarissa Dyas), co-presented by Gravity and CounterPulse.

In Conversation: David Herrera and Jocelyn Reyes

You are reading excerpts from David Herrera and Jocelyn Reyes’ recorded conversation. Listen to the conversation. Transcript of the full conversation

ONSITE: Katie Faulkner

We Don’t Belong Here FREE Performances Union Square: Thu-Fri, Sept 29-30 and Sun, Oct 2, 2011 Yerba Buena Lane: Thu-Sun, Oct 6-9, 2011 All performances began at 8pm Do I […]

Book Review: Defining Radical Bodies

When someone says “radical change,” I wonder which definition they are using for “radical.” The word can refer to an approach that comes from outliers, one that challenges existing views, […]

Synchronous Objects: What Else Might Dance Look Like?: An Interview with Professor Norah Zuniga-Shaw

Back in college, while in one of my countless rehearsals I remember thinking, “I wonder what areas of the stage we use the most?” Little did I know that this […]