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2010 Highlight
I FEEL LIKE I’VE NEEDED TO BE REMINDED that work can be guttedly personal and really quite messy, and that the sheer truth and humility transmitted in that choice of […]
Taking Up Space: A conversation between two dancers combating anti-fatness
ALL bodies deserve respect regardless of size, skin color, ethnic background, gender, sexuality, age, health or ability status.
Rauschenberg Medical Emergency Grants
Do you need help paying for critical medical, mental health, or dental treatment? Have you had to suspend or reduce your creative practice because of a medical emergency? This national […]
Stretching the Limits: Managing Hypermobile Joints
Proper care of a hypermobile body can mean the difference between a fulfilling career and sidelined dreams. We know it when we see it: the hyperextended line of an arabesque, […]
A Turning Point
A bounty of generous resources from our dance community and the San Francisco Bay Area is how I found my way through a return of breast cancer and the death […]
Critical Dialogues: Heather Desaulniers and Katherine Hawthorne
What if, rather than writing a review, a critic sat down with a choreographer to have a two-way conversation about the work? that’s the experiment behind critical dialogues. For this […]
Inclusion in Education: Children with Autism
Allison is five years old. She attends dance class each week at her public school in Oakland. In class, Allison spins, jumps, and sways to the music, laughing as she […]
Speak: Money Changes Everything: Dance and Demos in Contemporary Capitalism
SARAH ANNE AUSTIN’S by now notorious March article in Dance/ USA’s e-Journal compared dance in higher education to a pyramid scheme. The harsh economic reality faced by contemporary dancers is […]
When Salsa Swipes Right on Somatics, There is a Match
Photo by David Poertner What if the digital space could be a reprieve, an alternate reality for postcolonial dance research? Perhaps now, working outside of institutional demands, brown perspectives can […]
Inside, From a Distance
Margy—one of Margaret Jenkins’ many monikers—always considered her dancers collaborators, and I had the good fortune to work with her from 1979 to 1990. Through the years, she gave us […]
