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We live in a time where love costs. As an example, I love this country but do I love all the people here? The cost is to feel fully. The cost is to believe that no matter what’s going on in the world there will be grief, goodness, ugliness, rebellion, confusion and love. As the lyrics to the song go, “what the world needs now is love sweet love….”

“did you eat yet?”
ma would ask
“did you eat yet?”
ma would ask
“?n gì ch?a?”

“We had an incredible Practitioner Exchange last night!” I tell my Luna colleagues, “I laughed, I even cried, we danced around, and the conversation just flowed.” I realize as I’m saying this, that I’m not fully describing the depth of the discussion, and that in fact, it sounds a bit trite.

One Saturday afternoon last February, I sat upstairs in Shawl-Anderson Dance Center’s large studio space watching Dana Lawton Dances (DLD) prepare their upcoming new work, The Farallonites.

Culturally specific dance is a lifeline for diverse cultural communities throughout the United States to stay connected to our cultural roots. This article explores the role of culturally specific dancers to address important social justice issues of our time and the capacity building support needed to maximize their impact on the communities they serve as well as the dance sector at-large.

You are reading excerpts from David Herrera and Jocelyn Reyes’ recorded conversation. Listen to the conversation. Transcript of the full conversation

You are reading excerpts from Claudine Naganuma and Selma Apara’s recorded conversation. Listen to the conversation. Transcript of the full conversation