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The Crisis in Criticism: The Economy, the Internet and the Death of Dance Writing, Jun 2009
If you are reading this, odds are you earn at least part of your living working in the arts, or are a committed member of the dance audience. Let me […]
Decolonizing Industries of Care: Nursing These Wounds
In California, one out of every five registered nurses (RN) is of Pilipinx descent.[1] These nurses are also disproportionately represented on the front lines: bedside as well as in intensive care units, emergency rooms, nursing homes and long-term care.
In Conversation: Maurya Kerr and Alaja Badalich
You are reading excerpts from Maurya Kerr and Alaja Badalich’s recorded conversation. Listen to the conversation. Transcript of the full conversation
A Virtual Concept: Taking a New Look at Technology and Networking in Artist Residencies
CounterPULSE wanted to try something new with Performing Diaspora to better support work from artists, document the process of production and to interact with audiences. We created a virtual artist […]
Philanthropy Future/Present
Ten years from now: these things I know. New program officers will think they are smarter and funnier than their predecessors. Foundations will have undergone (at least once) strategic planning […]
In The Know: Gaining Confidence with Arts Advocacy
As I sat in the back of an almost-full Yerba Buena Center for the Arts Novellus Theater for the SF Mayoral Arts Forum this past August, I felt a palpable […]
ONSITE: Amara Tabor-Smith
He Moved Swiftly But Gently Down the Not Too Crowded Street: Ed Mock and Other True Tales in a City That Once Was… June 15, 21, 22 & 23, 2013 […]
Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…
Grassroots to Cyberspace: Evolution of Dancing Earth
Birthed from a vision from Founding Artistic Director Rulan Tangen to create global Indigenous contemporary performing arts opportunities, Dancing Earth is rooted with one foot in Yelamu – occupied Ohlone territory also known as San Francisco, California and the other foot in Ogaa Po Ogeh – occupied Tewa territory also known as Santa Fe, New Mexico.
23rd Annual San Francisco International Hip Hop DanceFest Online
Micaya is pleased to present the 23rd Annual San Francisco International Hip Hop DanceFest Online. This year’s festival will feature pre-recorded performances by six dance companies from around the globe. […]
