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San Francisco Trans Film Festival: Call for Submissions
The San Francisco Transgender Film Festival (SFTFF) seeks entries for our 2024 Festival (November 13-24, 2024 at Roxie Theater in San Francisco, CA and online via Eventive). This year we […]
MovingGround: Call for Advisors
The MovingGround Advisory Board is seeking new members! Our advisors bring excellent support to our work through creative strategy, vital reflection and critique, business, fundraising, marketing, and other practices to […]
25th Anniversary San Francisco Trans Film Festival
The San Francisco Transgender Film Festival (SFTFF) celebrates the 25th anniversary year of its annual festival dedicated to films by transgender and gender-nonconforming filmmakers, highlighting innovative, experimental, and outside-the-box films. […]
Leaning into the Unexpected: The vulnerability and willingness of anthropology and performance
When I tell people I study performance as an anthropology major at college, many consider the two an odd mix.
The Soft Solace of a Slightly Descended Lost Life (Suck It)
Experience the latest digital creation of Robert Moses’ KIN titled “The Soft Solace of a Slightly Descended Lost Life (Suck It)”. This new work, RMK’s most ambitious video project to […]
Yalda: A Festival of Light
Join the Simorgh Dance Collective and Eastern Arts for an evening celebrating Yalda (winter solstice), the longest night of the year. This free 2nd annual online gathering will be accompanied […]
CubaCaribe: Short Film Premieres
The Power of Resiliency 2021 July 25- August 8 Resiliency continues to be a defining theme this year. One year after our first online series, we bring you more innovative programming. Join […]
Mouth of a Shark: work in progress
CubaCaribe presents The Power of Resiliency 2021 July 25- August 8 Resiliency continues to be a defining theme this year. One year after our first online series, we bring you more […]
Beyond Aesthetics: Bachata, Politics, Praxis
Originating among the (predominantly Black) rural poor in the Dominican Republic in the latter half of the twentieth century, bachata music and the accompanying dance steps were stigmatized by the sociopolitical elite as vulgar, low-class forms of entertainment unsuitable for polite society.
Kularts & Alleluia Panis: Setting the Stage for Filipinx Diaspora Narratives
In a conversation about how she classifies her artistic practice, she told me that she does not consider her work to be “Philippine” dance, as that would be disrespectful to regional practitioners who undergo rigorous study, practice, and discipline that she as a choreographer and dancer who has livedmost of her life in the US has not undergone…