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Critical Dialogues: Rachel Howard and Gregory Dawson
What if, rather than writing a review, a critic sat down with a choreographer to have a two- way conversation about the work? That’s the experiment behind Critical Dialogues. For this […]
How Many Sets of Fingerprints Does it Take to Make a Dance Program?
Hundreds of educational and business leaders from across the nation met in San Francisco at the Arts Education Partnership Forum last month to proclaim the value of the arts to […]
A SEAT AT THE TABLE: If you don’t have a seat at the table, you are probably on the menu.
Photo by Robbie Sweeny I am a storyteller, a translator, an everyperson, trying to ‘get’ life’s inexplicable moments. I make work to try and understand difficult life experiences, like the […]
SPEAK: Robert Moses
On arriving in San Francisco in 1985 and on my way to audition for ODC (Oberlin Dance Collective) I saw an addict noodling with a needle in his arm on […]
Does One Size Fit All Funders?
WHEN IT COMES TIME for you to begin fundraising for a new artistic project, wouldn’t it be great if you could print a bunch of copies of your well-crafted project […]
Choreographer in the Classroom: At the Intersection of Dance and Academic Curriculum
It’s Tuesday afternoon at Monument Mountain Regional High School in the Berkshire Mountains of western Massachusetts. Much of the snow from the weekend storm has melted. There is a weak […]
Delicate Acts of Artistic Courage: Performing Diaspora returns to CounterPULSE
If you’re reading In Dance, then I probably don’t need to tell you that among San Francisco arts organizations, CounterPULSE has one of the strongest reputations for presenting risk-taking and […]
The Year in Bay Area Dance, Dec 2008
As a way to close out another year ‘in dance,’ we take a look back at some of the memorable moments of 2008. We asked what you felt were the […]
The Complexities and Contradictions of Awards Ceremonies
Mikhail Baryshnikov has a slew of honors to include in his biography, and for years listed prominently the “Bessie,” or New York Dance and Performance Award, which he was given […]
Fearless Grantwriting
EVERY ARTS ORGANIZATION will have to defend a seemingly indefensible situation to a potential funder at some point. Your first instinct might be to do everything you can to avoid […]
