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Fundraising for Individual Artists 101
There is possibly nothing more baffling to an individual artist than fundraising. Production, no problem. PR, okay, got it. Fundraising — huh? The reason for this confusion is pretty obvious: […]
Keep the Reels Rolling; Why the Bay Area Should Fight to Keep Dance/Screen
San Francisco Performances has pulled the plug on its Dance/Screen series of film and video presentations, curated for the last 9 years by Charlotte Shoemaker. “It was a matter of […]
From Stage to Screen; Bromberg Forges New Directions, July/ Aug 2007
An interview with the University of Utah’s Assistant Professor of Modern Dance on her focus career and the upcoming Dancers’ Group International Dance Film Screening in SF.
Submit a Resource or Opportunity
Each week, Dancers’ Group sends out two comprehensive emails to our members – Community Offerings (workshops, ongoing classes, pre-recorded videos or audio, other online content) DG Weekly (upcoming auditions, grants, job […]
Intimate Revolutions: The Choreography of Anne Bluethenthal
Persistently, Anne Bluethenthal (pronounced Bleedenthal) has been making dances in San Francisco for 24 years. In a series of email exchanges and telephone conversations I tried to excavate the evolving […]
Dance IS Intergenerational
The Dance IS Festival not only asks, what is dance?, but enacts, probes, and challenges the question. While considering how dance functions in the East Bay, the festival also explores […]
Director’s Note, Oct 2009
Dance and fashion, what comes to mind when you read those words? For me, specific images that inform our movement-based, clothed libidos. What we put on our bodies is, at […]
My Year in the Show Ring
Editor’s Note: Having danced with Chicago Moving Company, Winnipeg’s Contemporary Dancers, and Theatre of the Open Eye in New York, John R. Killacky has played several roles in the Bay […]
What’s on Your Nightstand?
In Dance was curious about what books people are reading that are inspiring, engaging or diverting. To expand your summer booklist, we posed the following three questions to the dance […]
